Stories of Lives Lived and Now Ending

Inquiring Mind, Spring 1994, vol. 10, no. 2

as told by Frank Ostateski, edited by Barbara Gates
photographs by Raja Hornstein

 

Raja Hornstein: "I want my pictures to celebrate life and death intertwined. I want them to open a door to your heart."


 

Inspired by a 2500-year-old spiritual tradition, Zen Hospice Project encourages and supports a mutually beneficial relationship among volunteer caregivers and individuals, facing death. Volunteers work in San Francisco both at the Guest House, a home-like residence providing 24-hour care, and at Laguna Honda Hospice, a 28-bed hospice and AIDS unit, located in the nation's largest public long-term care facility.

 

Each caregiver cultivates the "listening mind "through regular meditation or spiritual practice. This helps to develop the awareness, compassion and balance to respond to the needs of the dying and to hear their stories.

 

Frank Ostaseski, Founding Director of Zen Hospice Project, says, "As hospice workers, one of our central tasks is to be available when stories are ready to be told."

 

Recently, the Hospice has begun an' Oral History Project in which the volunteers support people who are dying in telling their stories. A volunteer either writes down a story in the form of a letter or, more commonly, records it. These stories are then sent to friends and family.

 

The following article is excerpted from an interview with Frank Ostaseski by Barbara Gates and Wes Nisker, Inquiring Mind editors. Names have been changed to protect the confidentiality of clients.

 

Adele was an old Russian, Jewish woman staying with us at the hospice. I got the call that she was dying and came to her room to find her curled over in bed, gasping for a breath. Her eyes were wide open with fear. An attendant tried to reassure her, "You don't have to be frightened." And Adele replied through her gasps, "If it was happening to you, you'd be frightened. Believe me."


 

The attendant began stroking her while she continued to heave. "You're awfully cold," the attendant said. And Adele, again through her gasps, replied, "Of course I'm cold. I'm almost dead!"

As I began to attend to her, I listened closely to try to understand what was actually needed. While she was gasping for the air, she was suffering. While she was pushing out the air, she was suffering. In the middle, right in between the breaths, was the place of relief. I said simply, "There's a place to rest right there. Can you feel it?" In that moment, her attention went to that place, the in-between place. And, for an instant, she rested there. It was as if something washed over her face; her eyes softened and the fear dissipated. She took four or five more breaths and she died.

 

At Zen Hospice Project, we act with minimal intervention and attempt to meet whatever is arising in front of us. There's a place to rest right there. Can you find it?" That was all I said. And she did everything else. She was honest and straightforward in her process all the way.

 

Sitting on the cushion, we watch the mind do its myriad activities. Hopefully, we are attending to it with some degree of equanimity. At the hospice, it's not appreciably different. We sit at the bedside and we listen'. We try to listen with our full body, not just with our ears. We must perpetually ask ourselves, "Am I fully here? Or am I checking my watch or looking out the window?"

 

At the heart of it, all we can really offer each other is our full attention. When someone is dying, their tolerance for bullshit is minimal. They will quickly sniff out insincerity. There may be material that arises which we don't particularly like or even strongly dislike just as we do on the cushion, we need to be able to sit still, to listen not knowing ,what will come next, to suspend judgment at least for the moment-so that whatever needs to evolve will be' able to do so.

 

In a hospice there are lifetimes of stories that have been lived and are now coming to an end. They are stories of grief, of joy, of regret and reconciliation, of reflection and anticipation, of denial and acceptance. For the person dying, as well as for family and friends, telling these stories is a way of preparing. The process of dying involves relinquishing our identities. Telling our stories can give us distance and help move us through the process. Often this is the way we make sense of our lives and discover their me meaning. But every story needs someone to listen.

 

Sometimes when a person tells his or her story., something changes. There was a very sweet elderly Italian woman, Rose, who, stayed with us. She came with a 11 prognosis of seven weeks to live. Seven months later she was still with us at the hospice. Volunteers kept describing the same conversation with Rose. Someone would walk in the room and say, "Rose, how you doing today?" With a tone of resignation, she would say, "I just want to die." Every day the same response. This became a running gag in the house. I told the volunteers, "We're not taking Rose seriously. We're laughing at her and we need to listen to exactly what she is saying."

 

So the next morning I went into her room and said, "Rose, how you doing today?" And again she said, "I just want to die." I said, "What makes you think that dying is going to be so much better?" She looked at me as if to say, 'What kind of a question is that to ask an eighty-year-old woman?' And I pushed on, "You know, Rose, there are no guarantees that it's any better on the other side." And she said, "Well, at least I'd get out." I asked, "Out of what?" So she began to tell me the story of her relationship with her husband.

 

As she told her story, it became clear that in the fifty years of this marriage, she had always taken care of her husband, cooked his meals, balanced his checkbook, accommodated his moods. Now that she was sick and dying, she couldn't imagine how he could possibly take care of her.

 

She didn't want to be a burden. Better to go to strangers to be cared for. So she moved into the hospice. After she told me her story, we spent some time talking about it. Later, she had a talk with her husband. I wasn't there for that talk. All I know is that three days afterwards she moved out of the hospice and returned home. She lived at home for another seven months before she died.

 

As people tell us their stories, we have to really listen, trusting that insight may well arise from the telling. There is a place in the story that will often deliver what is needed. So pay close attention to whatever you are presented with. Start with that. Take it. Believe it. And see where it leads you. In this woman's case, when she sensed that someone had truly believed her, when she felt really heard, she was able to tell the story which led to her going home. Before she had told her story, she was convinced that her only solution, the only way she could 11 get out," was to die. Through telling her story, she realized that her illness and her need to be cared for-what she had imagined to be a burden-was the culmination of her life, a final gift to be shared. She made a reconciliation in her marriage and died at home with her husband and her daughter.



 

One day I said to Dusty, "You know, Sis is getting much closer to dying. If there's something that you want to say to her, you don't want to waste too much more time." It just got slipped in right in the middle of one of those belt-buckle conversations. And he said, "You know, I want to tell her it, but I can't. I've never been able to say it."

 

About two weeks later, we were sitting in the garden and he just began to speak. I was about to get up and go do something else, but I thought, "No, I better stay still here for a moment." That's when the stories seem to come, when you least expect them. This hard-edged cowboy began to tell the most incredible, and in many ways tender, story. He started when he and Sis were young children. They had lived with their parents until they were four or five when both of their parents had died. They had been split up and both moved to separate orphanages, then later placed together in a foster home. Over several hours, as this story unraveled, he described the horrific life they had as kids moving from household to household. He also spoke about the kinds of injuries that he had inflicted on her-the abuse, the ways he had abandoned her. There was tremendous embarrassment and shame as he spoke.

 

Mostly, during this story, all I did was sit still and nod my head. After he had spilled it out and brought us up to that moment, I said, "Let's go upstairs and see your sister now." That was practically the only intervention I made in several hours. We walked upstairs and went into the room.

 

I don't know if he had ever shared this story with others or not. But after telling it, his manner was totally changed. He said, "Sis, I got something I want to tell you." In that moment, he was available to her in a way that he never could have been before in his life. She saw it, and immediately there was a meeting that happened between them. She turned to him and offered the most exquisite piece of forgiveness I've ever witnessed in my life. She said to him, "Look, I have somebody who bathes me. I have somebody who feeds me. I am surrounded by love. There is no blame."

 

For me that's the power of a story. In telling this story, he was able to meet her in the same vulnerable place in which she was now living. This kind of storytelling is essential to healing, especially when there have been hidden difficulties in the lives people have shared, and particularly if there has been some shame.


After having watched someone die, one might think that the reality of their death would be undeniable. But, in fact, it's not. Our capacity to protect ourselves is very well developed. Sometimes, in order to truly acknowledge the death of someone we love, we need to tell their story.

 

A woman had died, and her sister had watched this process of her dying. An hour had passed after the death, and I was sitting at the bedside along with the sister. I asked her if she would like to wash the body. And the sister said, "Not yet. She's not dead yet." I said, "Okay." After some time, I asked, "When was she most alive?" This was all she needed to begin to tell me her story.

She started with the tale of an incredible day when, as a twelve-year-old girl, her sister had climbed down into a cave. Then the story of her sister's life began to unfold, how brave she was, how she later worked in political movements, then became a writer, then a traveler. As she told the story, the woman was able to move through her dead sister's life, grieving the loss along the way. And the period at the end of the story was her sister's death. That's how she had to finish tier story because that's where we were. Then she said, "Now I would like to wash her body."

 

Once or twice a year the Abbot at San Francisco Zen Center, Tenshin Reb Anderson, comes over to speak with the hospice volunteers. One night he gave a very insightful talk that included the best advice I have ever heard on caregiving. He said simply, "Stay close and do nothing." That's how we try to practice at the Zen Hospice Project. We stay close and do nothing. We sit still and listen to the stories.

 

Frank Ostaseski counsels the dying and those in grief. He leads volunteer trainings and teaches workshops on Death & Dying.


About Inquiring Mind
Inquiring Mind is a semi-annual journal of the Vipassana community. They can be contacted at Inquiring Mind, P.O. Box 9999, North Berkeley Station, Berkeley, CA 94709, USA

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